![\"\"](\"https:\/\/ioanaciocan.com\/wp-content\/uploads\/2024\/04\/U1qoOm-201x300.png\")
<\/p>\n
ISBN: 978-973-50-7456-2, Humanitas, 2022<\/p>\n
Bucure\u0219tiul este plin de sculpturi, instala\u021bii \u0219i compozi\u021bii de o rar\u0103 calitate artistic\u0103, dar nici una dintre miile de lucr\u0103ri de art\u0103 contemporan\u0103 accidental\u0103 nu este semnat\u0103 de vreun reprezentant de seam\u0103 al artei plastice contemporane. \u0218i nu sunt pl\u0103nuite, nu au trecut prin comisii, nu au fost jurizate sau bugetate. Sunt accidente artistice cu un unic autor comun \u2013 bucure\u0219tenii. \u00cen ele se reflect\u0103 starea unui ora\u0219 c\u00e2rpit cu multe straturi de asfalt, un ora\u0219 unde nici o bordur\u0103 sau \u021beav\u0103 nu sunt la fel, unde se trag marcaje pietonale verticale peste cele orizontale, tuburi pentru instala\u021bia electric\u0103 ies alandala din asfalt, \u0219i lucr\u0103rile nu se termin\u0103 niciodat\u0103.
\nAm f\u0103cut prima fotografie pe 18 aprilie 2014 \u0219i ultima pe 1 decembrie 2021.<\/p>\n
<\/p>\n
Proiect 1990. Program de arta in spatiul public 2010-2014<\/strong><\/h2>\n![\"\"](\"https:\/\/ioanaciocan.com\/wp-content\/uploads\/2024\/04\/Screenshot-2024-04-10-at-10.28.16-207x300.png\")
<\/p>\n
\u00cen paginile volumul Proiect 1990 ve\u0163i reg\u0103si cele 20 de lucr\u0103ri de art\u0103 contemporan\u0103, care timp de patru ani au ocupat pe r\u00e2nd soclul din Pia\u0163a Presei Libere din Bucure\u015fti. R\u0103mas liber dup\u0103 \u00eendep\u0103rtarea statuii lui V.I. Lenin \u00eenc\u0103 din 1990, soclul din fosta Pia\u0163\u0103 a Sc\u00e2nteii a g\u0103zduit lucr\u0103rile unor arti\u015fti precum Andrei Ciubotaru, Mihai Balko, Bogdan Ra\u0163a, Ileana Oancea, Virgil Scripcariu, Aurel Tar sau Mihai Zgondoiu. Fiecare proiect inclus \u00een volum este documentat fotografic \u015fi este \u00eenso\u0163it de un comentariu semnat de critici de art\u0103, jurnali\u015fti, arti\u015fti sau curatori. Printre ace\u015ftia \u00eei reg\u0103sim pe Magda C\u00e2rneci, Luiza Vasiliu, Cristian Neagoe, Vlad Ursulean, Dan Perjovschi, Cosmin N\u0103sui sau Dan Popescu.
\nProiect 1990 a fost ini\u021biat \u00een ianuarie 2010 prin amplasarea unei replici a statuii lui V. I. Lenin de Boris Caragea, intitulat\u0103 Ciocan vs. Ulyanov pe soclul din Pia\u021ba Presei Libere din Bucure\u0219ti. Arti\u0219tii invita\u021bi apoi de Ioana Ciocan s\u0103 expun\u0103 \u00een Proiect 1990 au reu\u0219it, \u00een peste patru ani de zile, s\u0103 creeze o nou\u0103 identitate a soclului lui Lenin. Atitudinea lor a fost uneori ironic\u0103 \u00een fa\u021ba autorit\u0103\u021bilor \u2013 Rechinii ro\u0219ii, alteori trist\u0103 \u2013 a se vedea Visul Rom\u00e2nesc, dar \u00eentotdeauna critic\u0103.
\nPrefa\u0163a volumului este semnat\u0103 de Marilena Preda S\u00e2nc.<\/p>\n
<\/p>\n
\u201da+b\u201d, de Ana B\u0103nic\u0103, Selec\u021bie \u0219i texte de Ioana Ciocan<\/strong>
\nVellant, 2016<\/strong><\/h2>\n![\"\"](\"https:\/\/ioanaciocan.com\/wp-content\/uploads\/2024\/04\/Screenshot-2024-04-10-at-10.28.16-1-300x224.png\")
<\/p>\n
Reproduceri ale desenelor Anei Banic\u0103 din expozi\u021bia „Doi: Ana Banic\u0103” de la Muzeul Na\u021bional de Art\u0103 Contemporan\u0103 (15 octombrie – 15 noiembrie 2015), curator Ioana Ciocan parte din proiectul „Din dragoste. Fapte morale”.<\/p>\n
<\/p>\n
Transformation. Romanian Sculpture\u00a025 Years After the Revolution<\/strong><\/h2>\n![\"\"](\"https:\/\/ioanaciocan.com\/wp-content\/uploads\/2024\/04\/image0-225x300.jpeg\")
<\/p>\n
ISBN: 6068642097, 9786068642093, Vellant, 2014<\/p>\n
The Romanian Revolution of 1989 took the dictator by surprise. On December 21st 1989, masses had gathered in front of the Central Committee building in Bucharest where Ceau\u0219escu was holding a speech condemning the uprising in Timi\u0219oara. As it turned out it was the last time the dictator addressed the people – the crowd started to boo him. One can hear his dismay, and that of his wife Elena, in The Last Speech by Andreea Dobrin; he is in shock, he cannot believe that the country no longer worships him \u2013 especially since he had managed to establish a powerful following that had idolized him for almost three decades. The couple fleeing in the Dauphin helicopter while the thousands of people are shouting \u201cDown with Ceau\u0219escu!\u201d on December 21st 1989; it represents the crucial moment when the power shifted from Ceau\u0219escu to
\nthe people: the moment of change. Elena and Nicolae Ceau\u0219escu were executed on December 25th after a brief and questionable trial. The books, magazines and newspapers published during Ceau\u0219escu\u2019s regime used to mention how his self-fashioned Golden Age would last millennia. What was actually left were orphans, a population ruled by fear, whose freedom of speech had been drastically curtailed, a national history written especially for and by the Party and megalomaniac constructions.
\nThe Golden Age exists no more.<\/p>\n
<\/p>","protected":false},"excerpt":{"rendered":"
Sculpturi din \u00eent\u00e2mplare ISBN: 978-973-50-7456-2, Humanitas, 2022 Bucure\u0219tiul este plin de sculpturi, instala\u021bii \u0219i compozi\u021bii de o rar\u0103 calitate artistic\u0103, dar nici una dintre miile de lucr\u0103ri de art\u0103 contemporan\u0103 accidental\u0103 nu este semnat\u0103 de vreun reprezentant de seam\u0103 al artei plastice contemporane. \u0218i nu sunt pl\u0103nuite, nu au trecut prin comisii, nu au fost […]<\/p>\n","protected":false},"author":3,"featured_media":2929,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-full.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/ioanaciocan.com\/ro\/wp-json\/wp\/v2\/pages\/2928"}],"collection":[{"href":"https:\/\/ioanaciocan.com\/ro\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ioanaciocan.com\/ro\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ioanaciocan.com\/ro\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ioanaciocan.com\/ro\/wp-json\/wp\/v2\/comments?post=2928"}],"version-history":[{"count":20,"href":"https:\/\/ioanaciocan.com\/ro\/wp-json\/wp\/v2\/pages\/2928\/revisions"}],"predecessor-version":[{"id":2990,"href":"https:\/\/ioanaciocan.com\/ro\/wp-json\/wp\/v2\/pages\/2928\/revisions\/2990"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ioanaciocan.com\/ro\/wp-json\/wp\/v2\/media\/2929"}],"wp:attachment":[{"href":"https:\/\/ioanaciocan.com\/ro\/wp-json\/wp\/v2\/media?parent=2928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/p>\n\nProiect 1990 a fost ini\u021biat \u00een ianuarie 2010 prin amplasarea unei replici a statuii lui V. I. Lenin de Boris Caragea, intitulat\u0103 Ciocan vs. Ulyanov pe soclul din Pia\u021ba Presei Libere din Bucure\u0219ti. Arti\u0219tii invita\u021bi apoi de Ioana Ciocan s\u0103 expun\u0103 \u00een Proiect 1990 au reu\u0219it, \u00een peste patru ani de zile, s\u0103 creeze o nou\u0103 identitate a soclului lui Lenin. Atitudinea lor a fost uneori ironic\u0103 \u00een fa\u021ba autorit\u0103\u021bilor \u2013 Rechinii ro\u0219ii, alteori trist\u0103 \u2013 a se vedea Visul Rom\u00e2nesc, dar \u00eentotdeauna critic\u0103.
\nPrefa\u0163a volumului este semnat\u0103 de Marilena Preda S\u00e2nc.<\/p>\n
\nVellant, 2016<\/strong><\/h2>\n
<\/p>\n
Reproduceri ale desenelor Anei Banic\u0103 din expozi\u021bia „Doi: Ana Banic\u0103” de la Muzeul Na\u021bional de Art\u0103 Contemporan\u0103 (15 octombrie – 15 noiembrie 2015), curator Ioana Ciocan parte din proiectul „Din dragoste. Fapte morale”.<\/p>\n
<\/p>\n
Transformation. Romanian Sculpture\u00a025 Years After the Revolution<\/strong><\/h2>\n<\/p>\n
ISBN: 6068642097, 9786068642093, Vellant, 2014<\/p>\n
The Romanian Revolution of 1989 took the dictator by surprise. On December 21st 1989, masses had gathered in front of the Central Committee building in Bucharest where Ceau\u0219escu was holding a speech condemning the uprising in Timi\u0219oara. As it turned out it was the last time the dictator addressed the people – the crowd started to boo him. One can hear his dismay, and that of his wife Elena, in The Last Speech by Andreea Dobrin; he is in shock, he cannot believe that the country no longer worships him \u2013 especially since he had managed to establish a powerful following that had idolized him for almost three decades. The couple fleeing in the Dauphin helicopter while the thousands of people are shouting \u201cDown with Ceau\u0219escu!\u201d on December 21st 1989; it represents the crucial moment when the power shifted from Ceau\u0219escu to
\nthe people: the moment of change. Elena and Nicolae Ceau\u0219escu were executed on December 25th after a brief and questionable trial. The books, magazines and newspapers published during Ceau\u0219escu\u2019s regime used to mention how his self-fashioned Golden Age would last millennia. What was actually left were orphans, a population ruled by fear, whose freedom of speech had been drastically curtailed, a national history written especially for and by the Party and megalomaniac constructions.
\nThe Golden Age exists no more.<\/p>\n
<\/p>","protected":false},"excerpt":{"rendered":"
Sculpturi din \u00eent\u00e2mplare ISBN: 978-973-50-7456-2, Humanitas, 2022 Bucure\u0219tiul este plin de sculpturi, instala\u021bii \u0219i compozi\u021bii de o rar\u0103 calitate artistic\u0103, dar nici una dintre miile de lucr\u0103ri de art\u0103 contemporan\u0103 accidental\u0103 nu este semnat\u0103 de vreun reprezentant de seam\u0103 al artei plastice contemporane. \u0218i nu sunt pl\u0103nuite, nu au trecut prin comisii, nu au fost […]<\/p>\n","protected":false},"author":3,"featured_media":2929,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-full.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/ioanaciocan.com\/ro\/wp-json\/wp\/v2\/pages\/2928"}],"collection":[{"href":"https:\/\/ioanaciocan.com\/ro\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ioanaciocan.com\/ro\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ioanaciocan.com\/ro\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ioanaciocan.com\/ro\/wp-json\/wp\/v2\/comments?post=2928"}],"version-history":[{"count":20,"href":"https:\/\/ioanaciocan.com\/ro\/wp-json\/wp\/v2\/pages\/2928\/revisions"}],"predecessor-version":[{"id":2990,"href":"https:\/\/ioanaciocan.com\/ro\/wp-json\/wp\/v2\/pages\/2928\/revisions\/2990"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ioanaciocan.com\/ro\/wp-json\/wp\/v2\/media\/2929"}],"wp:attachment":[{"href":"https:\/\/ioanaciocan.com\/ro\/wp-json\/wp\/v2\/media?parent=2928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/p>\n\nthe people: the moment of change. Elena and Nicolae Ceau\u0219escu were executed on December 25th after a brief and questionable trial. The books, magazines and newspapers published during Ceau\u0219escu\u2019s regime used to mention how his self-fashioned Golden Age would last millennia. What was actually left were orphans, a population ruled by fear, whose freedom of speech had been drastically curtailed, a national history written especially for and by the Party and megalomaniac constructions.
\nThe Golden Age exists no more.<\/p>\n